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Till Funcasino Läs Recension. Upp till kr 25 freespins. Till CasinoRoom Läs Recension. Pileggi contacted Scorsese about taking the lead of the project, which became known as Casino.

Scorsese and Pileggi collaborated on the script for five months, towards the end of Some characters were combined, and parts of the story were set in Kansas City instead of Chicago.

A problem emerged when they were forced to refer to Chicago as "back home" and use the words "adapted from a true story" instead of "based on a true story".

They also decided to simplify the script, so that the character of Sam "Ace" Rothstein only worked at the Tangiers Casino, in order to show a glimpse of the trials involved in operating a Mafia-run casino hotel without overwhelming the audience.

The scene was too detailed, so they changed the sequence to show the explosion of Sam's car and him flying into the air before hovering over the flames in slow motion—like a soul about to go straight down to hell.

Filming took place at night in the Riviera casino in Las Vegas, with the nearby defunct Landmark Hotel as the entrance, to replicate the fictional Tangiers.

According to the producer Barbara De Fina , there was no point in building a set if the cost were the same to use a real-life one.

Several edits were made in order to reduce the rating to R. Upon its release, the film was heavily criticized for its intense violence.

It received mostly positive reviews from critics, although their praise was more muted than it had been for the thematically similar Goodfellas , released only five years earlier, with some reviewers criticizing Scorsese for retreading familiar territory.

The site's critical consensus reads, "Impressive ambition and bravura performances from an outstanding cast help ' Casino pay off in spite of a familiar narrative that may strike some viewers as a safe bet for director Martin Scorsese".

From Wikipedia, the free encyclopedia. Redirected from Casino film. For the film Ho Kong Fung Wan a. Nicholas Pileggi Martin Scorsese. This section needs expansion.

You can help by adding to it. Love and Honor in Las Vegas. Retrieved 28 October Retrieved August 21, The Rough Guide to Film: Retrieved December 23, Retrieved July 10, Retrieved July 5, Retrieved January 21, Scorsese may be flailing here, but Scorsese flailing is more formidable than most directors at the top of their form.

Scorsese's Casino is just another Las Vegas spectacular, as noisy and purposeless and, at three hours, as seemingly eternal as the Kids' inferno at Circus Circus.

Casino is Scorsese's 'messy drawer' of a movie; disconnected scenes and stylistic odds and sods Overlong and tedious crime drama epic.

A kinetic behind-the-scenes look at the Vegas casinos. Epic, grandiose, visceral film after film.

And what thanks does he get? Casino is superbly acted and quite astonishingly obsessive about detail, money, and the mob's decline.

This film is often looked down upon due to the many similarities it shares with Goodfellas. They've got the same writers and director, some of the same cast and crew, and similar subject matter, storylines, music, and structure.

However, while this film is admittedly basically Goodfellas in Vegas, I still think it's a wonderful film in its own right. Yeah, it's not as good as Goodfellas, but it's still a strong and fascinating piece of work.

Joining him is his childhood buddy Nicky Santoro Joe Pesci who views Vegas as his own little empire for the taking, no matter what the cost, or how destructive his own temper and ego prove to be.

Everyone has their Achilles's Heel, and for Ace it comes in the form of gorgeous hustler Ginger McKenna, who, despite his best efforts, can't be tamed or controlled like everything else in his life.

Pesci does ape some of his Oscar winning turn a lot, but it's still a joy to watch. And as Ginger, Sharon Stone proves brilliant, and gives what is easily the best performance of her career.

I'll admit that the broad plot and the general character storylines and character types are all things we've seen before, and where some of this film's weakness lies.

It's all good stuff, but even then, it offers nothing new, no matter how well it's played out. The real meat here, and the best material this film has to offer are the in-depth docu-drama aspects that chronicle in great and thorough detail the day to day operations of the gambling industry, the scams the Mob ran, and the history lesson this film gives about the city of Las Vegas's entertainment industry.

Sure, Scorsese's other Mafia epic did this too, but here it is goes all out, and takes it to the max. Aside from the things I've mentioned, there's a few other issues that bog this down as well.

Even though he and his film's are known for their energy, Scorsese does tend to let things go slack once in a while here, with a few things dragging on a tad more than they should.

The film is also quite long, though most of the running time is quite justifiable. For those who aren't quite as into it as me though may find some of this to be a bit tedious.

All in all though, this is an excellent, compelling, and engrossing affair. The production values, set design, art direction, and all that are gorgeous, dazzling, and flawless, and there's some terrific camera work, cinematography, and excellently executed sequences.

Yeah, it's somewhat of a redux, but even then I can't help but dig the ever loving crap out of it. Five years after delivering one the mob genre's finest films in "GoodFellas", director Martin Scorsese reunited with screenwriter Nicholas Pileggi and several of the same actors - mainly Robert DeNiro and Joe Pesci - to focus on another true-life crime story.

This time he takes it away from the mean streets of New York and focuses on the deserts of Las Vegas. The results may be highly similar but they're just as impressive.

Things go well for him until his volatile childhood friend Nicky Santoro Joe Pesci arrives to get in on the action and Sam falls in love with conniving, unbalanced and untrustworthy, showgirl Ginger McKenna Sharon Stone.

Before long, a cycle of drugs and violence ensues while Sam struggles to hold onto his casino license and the mob back home are less than happy with the results.

The hallmarks of Scorsese's style and structure - that were so prevalent in "GoodFellas" - are all on show again here. He has his usual reliable cast, delivering voiceover narrations that take us through the events and there is regular use of classic tracks from The Rolling Stones.

His directorial techniques and are also on show; from flash-cuts to freeze-frames, crash zooms and montages. In other words, Scorsese is doing it all over again and it's these very techniques and stylistic flourishes that have drawn some criticism Casino's way for being too similar to his aforementioned crime classic.

To some extent, I can understand these gripes. There is definitely a feeling of repetition and lack of originality in it's approach.

The most obvious comparison being the casting of Joe Pesci. As good as Pesci is and he is very good it may have served Scorsese better to cast someone else in that role.

I'd liked to have seen another Scorsese regular Harvey Keitel, for example, just to mix things up a bit and he's proven beforehand that he's an actor that plays off DeNiro very well.

That being said, there is an argument of 'if it ain't broke, dont fix it'. It does tread old ground and doesn't really bring anything fresh to the table but it's old ground that's worth treading again.

Where Scorsese does succeed, is in his casting of DeNiro. In "Goodfellas", DeNiro was underused but here he delivers some solid work. He has a less showy role than those around him, making it easy to overlook just how effortless he is.

He's rarely offscreen for the entire 3 hours of the film and shows an absolutely commanding reservation. Other great inclusions in the cast are a weasel like James Woods and a surprisingly outstanding Sharon Stone.

She takes a back seat in the early stages but when she properly enters the fray, she delivers a very powerful and layered performance and the convincing catalyst for the unravelling of the characters' indulgent lifestyles.

She was rightfully Oscar nominated for her work here and very unlucky not to win. It's a testament to these committed performances and Scorsese's expertise that this film still manages to stand alone as a very fine piece of cinema in it's own right.

Added to which, the lavish production design by Dante Ferretti and Robert Richardson's sublime cinematography bring the whole glitz, glamour and corruption of Las Vegas to fruition.

An enthralling and intimate portrayal of the decline of the mob in the 's. It may not be as tightly constructed as "GoodFellas" but how many film's are or ever will be?

If this is the only criticism that can be appointed to Casino then there's no point criticising at all. Another fine addition to Scorsese's canon.

Kind of a forgotten Scorsese, which is a shame. It's a little long, and a little over-narrated, but it's never boring, and visually - the car bomb that kicks it all off, especially - it's among his best work.

It may have been dismissed because, for Marty, it's cliche: But Sharon Stone, in all her 90s glory, steals plenty of scenes and earns her Oscar nomination, and works really well with James Woods, who could have easily been included in 's crowded Best Supporting Actor category.

Competent to great work in every aspect, and though it might not blow you away anywhere, the craftsmanship shines through its every moment.

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Till CasinoCruise Läs Recension. Sam subsequently retires to San Diego and continues to live as a sports handicapper for the Mob, in his own words, ending up "right back where I started".

The research for Casino began when screenwriter Nicholas Pileggi read a report from the Las Vegas Sun about a domestic argument between Frank "Lefty" Rosenthal , a casino figure, and his wife Geri McGee , a former topless dancer.

Argent was owned by Allen Glick, but the casino was believed to be controlled by various organized crime families from the Midwest. This skimming operation, when uncovered by the FBI, was the largest ever exposed.

Pileggi contacted Scorsese about taking the lead of the project, which became known as Casino. Scorsese and Pileggi collaborated on the script for five months, towards the end of Some characters were combined, and parts of the story were set in Kansas City instead of Chicago.

A problem emerged when they were forced to refer to Chicago as "back home" and use the words "adapted from a true story" instead of "based on a true story".

They also decided to simplify the script, so that the character of Sam "Ace" Rothstein only worked at the Tangiers Casino, in order to show a glimpse of the trials involved in operating a Mafia-run casino hotel without overwhelming the audience.

The scene was too detailed, so they changed the sequence to show the explosion of Sam's car and him flying into the air before hovering over the flames in slow motion—like a soul about to go straight down to hell.

Filming took place at night in the Riviera casino in Las Vegas, with the nearby defunct Landmark Hotel as the entrance, to replicate the fictional Tangiers.

According to the producer Barbara De Fina , there was no point in building a set if the cost were the same to use a real-life one. Several edits were made in order to reduce the rating to R.

Upon its release, the film was heavily criticized for its intense violence. It received mostly positive reviews from critics, although their praise was more muted than it had been for the thematically similar Goodfellas , released only five years earlier, with some reviewers criticizing Scorsese for retreading familiar territory.

The site's critical consensus reads, "Impressive ambition and bravura performances from an outstanding cast help ' Casino pay off in spite of a familiar narrative that may strike some viewers as a safe bet for director Martin Scorsese".

From Wikipedia, the free encyclopedia. Redirected from Casino film. For the film Ho Kong Fung Wan a. Nicholas Pileggi Martin Scorsese. This section needs expansion.

You can help by adding to it. Love and Honor in Las Vegas. Retrieved 28 October Retrieved August 21, The Rough Guide to Film: Retrieved December 23, Retrieved July 10, Retrieved July 5, Retrieved January 21, Street Scenes Italianamerican American Boy: Retrieved from " https: Uses authors parameter Articles to be expanded from August All articles to be expanded Articles using small message boxes Articles with hAudio microformats Album infoboxes lacking a cover Wikipedia articles with GND identifiers.

Views Read Edit View history. In other projects Wikiquote. This page was last edited on 8 November , at By using this site, you agree to the Terms of Use and Privacy Policy.

Golden Globe Award for Best Director. Golden Globe Award [17]. Best Actress in a Leading Role.

Sam blames the incident on Nicky's recklessness, and the two argue furiously in the desert after Sam attempts to tell Nicky to leave Las Vegas. Richard Riehle as Charlie Clark. He has his usual reliable cast, delivering voiceover narrations that take us through the events and there is regular use of classic tracks from The Rolling Stones. Season 2 Doctor Who: He has a less showy role than those around him, making it easy to overlook just how effortless he is. Even though he and his film's are known for their energy, Scorsese does tend to let things go slack once in a while here, with a few things dragging on a tad more than they should. Bret McCormick as Bernie Blue. Till Cherry Casino Läs Recension. Tc rot gold casino neumünster put my fuckin' money to sleep. They also decided to simplify the script, so Beste Spielothek in Alfter finden the character of Sam "Ace" Rothstein only worked at the Tangiers Casino, in order to show a glimpse of the casino 95 involved in operating a Mafia-run casino hotel without overwhelming the audience. Snygg och enkel design. Sam disowns Ginger, as does Nicky.

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